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Behind the Scenes with Christopher M. Dukes: Lessons on Longevity and Success in Hollywood

Rick W 0 19

Christopher M. Dukes is a seasoned actor, stuntman, and entrepreneur whose career spans over two decades in film, television, and live performance. Originally from Omaha, Nebraska, Dukes moved to Los Angeles in 1995 after earning a degree in Speech Communications from the University of Nebraska. Known for his versatility and physical prowess, Dukes has performed as a stunt double for Patrick Swayze and worked on major productions like G.I. Joe: The Rise of Cobra. His recent acting credits include NCIS and the upcoming holiday film, A Heart Full of Hope. Other credits include roles in hit series such as Alias, Las Vegas, The West Wing, Transformers, Fresh Off the Boat, Very Frightening Tales, and Pump. His film work includes Angie's Cure, Twisted Date, Middleton Christmas, Reed’s Point, They Crawl Beneath, and The Christmas Chain. Beyond acting and stunt work, Dukes is the founder of Dukes Wealth Management, Inc., through which he has managed over $100 million in client assets. He is also a philanthropist, giving back to cancer and veteran organizations in honor of his family’s legacy. With training in improvisation, live performance, and business, Dukes brings a rare combination of talent, heart, and entrepreneurial spirit to every project he takes on.   @the_real_christopherdukes

How did you first get started in both acting and stunt work, and what drew you to pursue both?

My sophomore year in high school, I answered an ad in the local newspaper that said, ‘searching for talent’. Through that ad, I got my first agent and subsequently booked my first commercial for a local news station. In terms of stunt work, I went to a Six Flags live show audition in early 1997 with a friend. Out of over 200 applicants, I was one of 14 people who were chosen for a six-month contract in Texas. That show started my passion for stunt work and helped me segue into television and film work when I came back to Los Angeles in late 1997.

Can you walk us through your preparation process for a particularly challenging stunt or acting role? How do you balance the physical and emotional demands?

Typically, I will read through the entire script a couple of times to see how my character fits into the overall tone of the project. Then, I will make a choice for my character and create a backstory. If the role requires some physicality, I will make sure it’s something that the character would realistically do. For example, if I’m playing a suburban dad and I have to get into a fight, that technique might be sloppy and not as crisp as say a special ops military role might be. 

What has been the most memorable project or scene you’ve worked on, either as an actor or a stunt performer, and why does it stand out to you?

In the late 1990s and early 2000s, I had the privilege of working on the West Wing. Even though I played a small role, I was able to work with the likes of Martin Sheen, Rob Lowe, and Bradley Whitford. The techniques that I learned from those actors are something that helped me on later in my career. In early 2020, I was cast opposite Eric Roberts in a horror film. We had a fairly intense restaurant scene that didn’t end well for my character. The camaraderie we had behind the scenes transferred into the scene and made our relationship even more believable.

Can you describe a time when you had to collaborate closely with directors, coordinators, or fellow actors to achieve a complex scene? What made that collaboration successful?

In early 2020, I was hired to stunt coordinate an independent film by director Dan Mirvish. The finale of the movie is a fairly complex fight sequence between four characters that takes place entirely in a beach c

Amy & Monte: A Legacy of Love and Creativity

Rick W 0 13

Summertime in East Hampton, New York evokes a reverie of sun-drenched beaches, calm ocean breezes, delectable hors d'oeuvres and sophisticated company. But within this dreamy landscape, an alt culture vortex arose in the form of artist and couture fashion designer Amy Zerner and her soulmate, best-selling spiritual author Monte Farber

Famous for intricate art as well as tarot card readings, they are hard to pin down or categorize. Yet their deep spirituality lends the duo more to exploration than revolution. They don't really crash the party in the Hamptons; it's more like they evoke and paint it. Their Light-Filled, surreal perspective may be salutary in an area that absorbs a good slice of Manhattan in an attempt to flee it. (Many manage just fine, but some weekenders may never get there due to the infamous traffic jams.)

Producer and Director Annmarie Sairrino, who is based in Burbank, seems to have great fun pulling together the pieces around this puzzling, talented and fascinating couple. Seldom do people so irreverent act from a place of such transcendent intentionality. And therein is a story worth telling. It is told very well. 

You can watch the trailer here (parental discretion advised): Amy & Monte Trailer

The Festival Beat Special edition 1131

Rick W 0 38
 
1000.gif
THE FESTIVAL BEAT MAKER ! SHARING MOTION AND EMOTION SINCE 1995  
 
I take this opportunity to extend our warmest wishes for a successful year on the festival circuit. We are working hard on a new version of our platform to better serve our community. Filmfestivals.com was established in 1995 before google existed, turned into a social network in 2006 with a blog platform welcoming festivals and film professionnals with some 120 000 articles and counting. In the meantime we are busy maintaining the old site and offering unique visibility and promotion in our temp dailies. 
 
EMAIL ME FOR PROMOTION AND MARKETING HELP 
 
FOLLOW US : facebook0.thumbnail.png   twitter_logo.thumbnail.png      

We cover over 15 000 festivals worldwide and proudly share our knowledge of the Festival circuit with our community, we trust our audience will ENJOY THE EXPERIENCE even more once the new platform is up and running : stay tuned!. In case you missed any of these 1100+ newsletters ... you can find them all here.    

 

Digital Gym
PEOPLE IN FOCUS
Erik Toresson Hellqvist appointed new Head of Marketing and Communications at Göteborg Film Festival
Capture%20d%27%C3%A9cran%202025-06-12%20164713.png
Erik Toresson Hellqvist has been appointed as the new Head of Marketing and Communications at Göteborg Film Festival. In his new role, he will lead the development and coordination of marketing and communication strategies for the festival’s three key brands: Göteborg Film Festival, the streaming service Draken Film, and Prisma – the festival for young film lovers. The position includes both strategic and hands-on responsibilities, with a focus on strengthen...
 
 

Interview With Cuban American Director Producer Carlos Gutierrez

Rick W 0 49

Interview With Cuban American Director Producer Carlos Gutierrez

Carlos V. Gutierrez is a film and television director whose work has won numerous awards, including the prestigious Emmy Award, and has been featured on HBO and Showtime. In the commercial world, Carlos is a highly sought after director who works on national campaigns for Turbo Tax, Princess Cruises, Exxon / Mobil, Chevy and numerous others. His commercial work for clients includes a Super Bowl commercial and PSA's that have won international recognition.

 

In a recent interview with Carlos, here is what he had to say:

You started your media career in advertising and won awards in that career. How did you get into advertising?

CARLOS: I was studying to be a doctor and just had one of those epiphanies where you realize you’re meant for something else. I promised my parents I would have a job before graduating from undergrad and found advertising as a great way to create and learn how productions are put together.

 

How was your experience studying at NYU and how did you go about making your first short films?

CARLOS: I really think film school is a personal experience (especially at the grad level). It’s what you make of it and if you’re willing to subscribe to the fact the first year is a boot camp. The staff and professors want you to vomit out all your inspirations and ideas so that you can start to develop your style so by the time you hit second year your confidence about who you are as a director grows. Not to mention I had Spike Lee mentoring me and I have to say he was instrumental in shaping me into a professional filmmaker. Once I won a few awards, my confidence really went up and I started to feel I could do this, that’s where the school and the staff are critical into helping you understand what it takes to be a professional filmmaker. 

 

How has your advertising career and your background influenced your filmmaking?

CARLOS: My background as a Cuban American filmmaker started with my parents who always made me feel proud to be Latino and encouraged me to never shut up about it! I really tried to put that in my films when it made sense. Advertising was a great way to learn from masters like Spike Jonze, Alejandro Gonzalez Iñarritu and Doug Liman all of whom I watched direct while I was still a producer. 

 

Do you have a favorite early project you have worked on that you are most proud of?

CARLOS: Yes, that has to be the documentary short I did on my father called Journey Into Exile where it explored his personal battles of leaving Cuba and immigrating to the US. That film won best of fest and gave me some much-needed early confidence.

 

You are a writer, director and producer now. Can you tell us about projects you are working on now in each role?

CARLOS: I’m always a writer first since that was what I was doing since the age of twelve when I was writing short stories that scared my mom, and before I was twenty, I was a published poet. Writing for me is therapy and is really something I love to do, it’s the only time you have full creative control. As a writer / director I have three films in various stages of casting & financing ready to film in the next twelve months not to mention a docuseries we are taking out to market that will be an umbrella project encompassing the history of Cuba. As a producer, I have two TV series with partners I am really excited about and that we are taking to market this year. 

The Festival Beat Special edition 1130

Rick W 0 39
1000.gif
THE FESTIVAL BEAT MAKER ! SHARING MOTION AND EMOTION SINCE 1995  
 
I take this opportunity to extend our warmest wishes for a successful year on the festival circuit. We are working hard on a new version of our platform to better serve our community. Filmfestivals.com was established in 1995 before google existed, turned into a social network in 2006 with a blog platform welcoming festivals and film professionnals with some 120 000 articles and counting. In the meantime we are busy maintaining the old site and offering unique visibility and promotion in our temp dailies. 
 
EMAIL ME FOR PROMOTION AND MARKETING HELP 
 
FOLLOW US : facebook0.thumbnail.png   twitter_logo.thumbnail.png      

We cover over 15 000 festivals worldwide and proudly share our knowledge of the Festival circuit with our community, we trust our audience will ENJOY THE EXPERIENCE even more once the new platform is up and running : stay tuned!. In case you missed any of these 1100+ newsletters ... you can find them all here.    

 

Digital Gym
PEOPLE IN FOCUS
Erik Toresson Hellqvist appointed new Head of Marketing and Communications at Göteborg Film Festival
Capture%20d%27%C3%A9cran%202025-06-12%20164713.png
Erik Toresson Hellqvist has been appointed as the new Head of Marketing and Communications at Göteborg Film Festival. In his new role, he will lead the development and coordination of marketing and communication strategies for the festival’s three key brands: Göteborg Film Festival, the streaming service Draken Film, and Prisma – the festival for young film lovers. The position includes both strategic and hands-on responsibilities, with a focus on strengthen...
 
 

Interview with Award-Winning Producer Mark Foligno @ 2025 Cannes Film Festival

Rick W 0 16

 

 

 

Interview with Award-Winning Producer Mark Foligno @ 2025 Cannes Film Festival

British Italian film professional Mark Foligno works as a prolific producer and executive producer. He has worked on dozens of high-profile feature films, shorts and TV series. Based in the UK, he is most known for his work on Oscar winning film The King’s Speech (2010), I Am Slave (2010), A Lonely Place to Die (2011) and most recently Freud’s Last Session(2023). 

 

In an interview with Mark at La Mome Beach in Cannes, here is what he had to say.

 

Interview by Vanessa McMahon

Interview with Award-Winning Producer Mark Foligno @ 2025 Cannes Film Festival

Rick W 0 19

 

Interview with Award-Winning Producer Mark Foligno @ 2025 Cannes Film Festival

British Italian film professional Mark Foligno works as a prolific producer and executive producer. He has worked on dozens of high-profile feature films, shorts and TV series. Based in the UK, he is most known for his work on Oscar winning film The King’s Speech (2010), I Am Slave (2010), A Lonely Place to Die (2011) and most recently Freud’s Last Session. 

 

In an interview with Mark at La Mome Beach in Cannes, here is what he had to say.

 

Interview by Vanessa McMahon

Golden Goblet Awards Lineup Announced: Spotlight on This Year’s Top Contenders

Rick W 0 47

The 27th Shanghai International Film Festival (SIFF) is set to return from June 13 to June 22, bringing ten days of cinematic celebration to the city. Today, organizers unveiled the official selection for the prestigious Golden Goblet Awards, with winners scheduled to be announced later in June.

Photo 26th Awards ceremony courtesy SIFF

 

49 films have been selected as finalists:

 

Main Competition

 

AFTER THE FOG

Director: Miriam Heard

Country/Region: Chile,United Kingdom,France

 

BLACK RED YELLOW

Director: Aktan Arym Kubat

Country/Region: Kyrgyzstan

 

CYCLONE

Director: Flavia Castro

Country/Region: Brazil

 

MY FATHER’S SON

Director: QIU Sheng

Country/Region: China, France

 

LOSS OF BALANCE

Director: Korek Bojanowski

Country/Region: Poland

 

LUISA

Director: Julia Roesler

Country/Region: Germany

 

ONE WACKY SUMMER

Director: CAO Baoping

Country/Region: China

 

ON SUMMER SAND

Director: Shinya Tamada

Country/Region: Japan

 

THE REBORN

Director: Santiago Esteves

Country/Region: Argentina,Spain,Chile

 

THE SCENT OF THINGS REMEMBERED

Director: António Ferreira

Country/Region: Portugal,Brazil

 

WILD NIGHTS, TAMED BEASTS

Director: WANG Tong

Country/Region: China

 

YOU BELIEVE IN ANGELS, MR. DROWAK?

Director: Nicolas Steiner

Country/Region: Germany,Switzerland

 

Asian New Talent

 

AS THE WATER FLOWS

Director: BIAN Zhuo

Country/Region: China

 

BRAND NEW LANDSCAPE

Director: Yuiga Danzuka

Country/Region: Japan

 

GRACE FOR SALE

Director: Gözde Yetişkin, Emre Sert

Country/Region: Turkey

 

KANTO

Director: Ensar Altay

Country/Region: Turkey

 

ODDS BEATER

Director: CHENG Liang

Country/Region: China

 

RIVERSTONE

Director: Lalith Rathnayake

Country/Region: Sri Lanka

 

SEVEN DAYS

Director: QIU Yujie

Country/Region: China

 

THE DAUGHTER

Director: Pourya Kakavand

Country/Region: Iran

 

THE LAST SUMMER

Director: SHI Renfei

Country/Region: China

 

VICTORIA

Director: Sivaranjini J

Country/Region: India

 

WATER CAN GO ANYWHERE

Director: FANG  Liang

Country/Region: China

 

WHERE THE NIGHT STANDS STILL

Director: r: Liryc Dela Cruz

Country/Region: Italy,Philippines

 

Documentary

 

A PART OF THE LAND

Hong Kong Cinema @ Cannes 2025

Rick W 0 35

Hong Kong Cinema @ CANNES 2025’ celebrates city’s role as hub for cultural exchange and IP trading

Elevating Hong Kong’s global film presence and fostering collaboration

 

“Hong Kong Cinema @ CANNES 2025”, a campaign designed to promote Hong Kong's position as an east-meets-west centre for international cultural exchange and a regional intellectual property (IP) trading hub, kickstarted on 13 May at the Cannes Film Festival in France and will conclude on 24 May. Jointly organised by the Cultural and Creative Industries Development Agency (CCIDA) of the Culture, Sports and Tourism Bureau (CSTB) of the Hong Kong SAR Government, the Hong Kong Film Development Council (FDC), and the Hong Kong Trade Development Council (HKTDC), the campaign aims to elevate the presence of Hong Kong’s film productions on the global stage and explore potential partnerships.

 

Film industry heavyweights gather to promote collaboration and industry growth

A highlight of “Hong Kong Cinema @ CANNES 2025” was Hong Kong Night, also jointly organised by CSTB, CCIDA, FDC and the HKTDC. Held on the evening of 17 May at Majestic Beach in Cannes, Hong Kong Night was attended by more than 800 international producers, directors, artists, distributors, buyers and film commission representatives, who seized the opportunity to expand their international distribution networks and explore cross-border collaboration opportunities.

 

Also joining the event were director Juno Mak and actors Louis Koo and Gao Yuanyuan – the creative powerhouses behind the acclaimed Hong Kong film Sons of the Neon Night, which had its world premiere at the Midnight Screenings of the festival.  

 

A hub for cultural exchange and global industry connections

The Hong Kong Pavilion at Riviera Cannes features several leading film production companies including Celestial Pictures, Edko Films, Emperor Motion Pictures, Media Asia Film Distribution (HK), One Cool Pictures and Universe Films Distribution. Other major Hong Kong film companies such as All Rights Entertainment, Entertaining Power, Fortune Star Media, Golden Network Asia, Just Distribution, and Mandarin Motion Pictures also participated.

 

During the event, exhibitors showcased their latest and upcoming titles for international sales, including Edko Films' two prequels in the acclaimed Cold War series - Cold War 1994 and Cold War 1995, Emperor Motion Pictures' extended version of Hong Kong's highest-grossing film of 2024 - The Last Dance - Extended Version, Media Asia Film's instalments of its blockbuster trilogy - Twilight of the Warriors: Dragon Throne and Twilight of the Warriors: The Final Chapter, One Cool Pictures' action feature The Trier of Fact, and Universe Films Distribution's comedy Dog Day Evening.

HKTDC Deputy Executive Director Dr Patrick Lau said: "Building on the success of the HKTDC's annual FILMART event, held in Hong Kong in March, we are thrilled to present ‘Hong Kong Cinema @ CANNES 2025’. This year's programme underscores the strength of our conviction in Hong Kong's vibrant film and creative i

The Investors Circle Reveals the 10 Exclusive Film Projects & Winner of the Artekino International Prize

Rick W 0 40

During the pitching session, the jury granted the 2025 ArteKino International Prize, valued at €20,000, to Alexander Glehr and Johanna Scherz for the project “Gentle Monster,” directed by Marie Kreutzer (Austria).

 

The Investors Circle, the Marché du Film’s exclusive gathering of top film financing experts and investors, concluded its third edition yesterday with resounding success.

Held during the 78th Festival de Cannes at the Plage des Palmes – the Festival & Marché’s official beachside venue – this year’s high-profile featured insightful panels with leading international experts in film and media financing, followed by a private pitching session showcasing ten grand-scale film projects – never-before-revealed – from acclaimed directors.

Among the notable auteurs presenting were Festival de Cannes’ Competition regular Jessica Hausner (Little Joe, Club Zero), Academy Award-winning filmmaker Sebastián Lelio (A Fantastic Woman, Disobedience), Grand Prix winner and Caméra d’Or recipient Lukas Dhont (Close and Girl) and Oscar-nominated & Golden Bear winner Jasmila Žbanić (Quo Vadis, Aida?).

Carefully selected for their potential to captivate audiences and investors alike, these projects – with budgets ranging from 3 to 9 million euros – represent a diverse array of storytelling and bold creative visions.

The selection process was overseen by Aleksandra Zakharchenko, Head of Industry Programs at the Marché du Film, alongside a distinguished committee of industry figures, including Remi Burah, Managing Director and Board Member at ARTE France Cinéma; media entrepreneur Serge Hayat; Tamara Tatishvili, Head of Hubert Bals Fund (Rotterdam International Film Festival) and moderator of the pitching session; and Marcin Łuczaj, Head of Acquisitions at New Europe Film Sales.

The presence of lead producers and internationally renowned directors lent an air of exclusivity to the session, as they unveiled their projects to a select audience of VIP investors, who had the rare opportunity to discover these 10 anticipated projects for the first time.

“The Investors Circle is a rare and valuable event,” said Celine Dornier, VP Financing & Acquisitions at Logical Pictures Group and one of the selected investors invited to attend the event. “It’s truly designed with investors in mind, which makes all the difference. The selection of projects is consistently high-level, with prestigious and diverse filmmakers that match what I’m looking for.”

To accompany the selected directors in their meetings with equity investors, 111 Avocats — a leading law firm fully dedicated to the entertainment industry — provided each project team with tailored legal guidance ahead of their one-on-one conversations.

The 2025 ArteKino International Prize, valued at €20,000, was awarded to Alexander Glehr and Johanna Scherz of Film AG Produktions GmbH, the producers behind Gentle Monster, directed by Marie Kreutzer (Austria).

“I’m surprised in the most positive way,” said director Marie Kreutzer, upon her win. “Filmmaking is a really big mountain, and what happens before the premiere – to get a film made – is a very long climb. So we really need people who want to support cinema and have love for cinema – that’s why meeting investors is extremely important. I had great conversations with these investors so far. The script has sparked their interest, and they’re eager to learn more

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