Key Word Search

Music Catalog

It’s Time to Talk About GROK Imagine: Part One

Rick W 0 23

by Quendrith Johnson, Los Angeles Correspondent

Whether you like or loath Elon Musk and his many-hatted empire from X to cars and tunnels to rockets, it’s beyond time to talk about his GROK and Grok Imagine as a disruptor that may upend Hollywood more than Netflix or the other streamers.

This is Part I of 2, by the way; and you may wonder why Grok will rock the Hollywood boat? Because right now Musk is giving away access to Grok Imagine’s considerable film-making capabilities to all comers for free. Before information overload puts your brain to sleep, here's a quick chart of essential AI pioneers who developed the backbone of what we have on our hands today.Screenmancer Staff Generated 

So what is Grok Imagine, and why should you care?

If you’re in the industry, or have any connection to film-making or filmed content, Grok Imagine is basically the means by which anyone can become a mini-major, that is to say you can make 6 second short films right now merely by typing a sentence or two that converts via Grok Imagine to a full-blown video plus synched soundtrack. Elon has also added voice capabilities like “Eve” that will purr through dialogue like an actor, set to a virtual actor if you so choose.

It’s not like Eleven Labs and others haven’t come up with hyper-real synthetic chirping or charming voices, but we’re talking about a half-trillion dollar net worth mogul who is Elon Musk with the resources to literally shake the foundations of not only Hollywood, but the two-hour movie, and even the way filmed content is consumed.

So it’s time to pay attention, and figure out the basics, such as how did we get to this moment in cinema history...

Oscar for Hattie McDaniel (Gone With The Wind) in 1940 ceremony, just a few years after Supporting category established.

Birth of a Notion

Yes, that’s a play on words from film-making long ago, when D. W. Griffith’s “Birth of a Nation” on Feb. 8, 1915, made its screen debut and its viable full-length narrative form changed the game for filmmakers. Birth of a Notion aptly describes Grok Imagine because we’re staring down the barrel of a technology so powerful that it should probably be stored in a virtual gun safe.

Kidding aside, early versions of Grok Imagine let you animate, or make mini movies of, notable figures with hyper-real renderings; in other words, you could make Elon Musk into a Roman Gladiator with his “Kekius Maximus” gaming persona on display. More to the point, you could animate public domain figures living and dead in sharp detail. For example, Epstein could be animated in a hot tub with Mother Theresa, or Trump and Biden could be playing poker at a table with the three bears and Goldilocks.

Basically any public figure early on was fair game. Now the protocols have tightened so public figures like Gov. Gavin Newsom can still be animated l

The Festival Beat N°1141

Rick W 0 27
THE FESTIVAL BEAT MAKER ! SHARING MOTION AND EMOTION SINCE 1995 - FINALIZING OUR NEW SITE - COMING OUT SOON

BEST OF LUCK ON THE CIRCUIT

We are working hard on a new version of our platform to better serve our community. Filmfestivals.com was established in 1995 before google even existed, turned into a social network in 2006 with a blog platform welcoming festivals and film professionnals with some 120 000 articles and counting. In the meantime we are busy maintaining the old site and offering unique visibility and promotion in our temp dailies to film and festivals pros. 
 
EMAIL ME FOR PROMOTION AND FESTIVAL MARKETING HELP 
 
FOLLOW US : facebook0.thumbnail.png   twitter_logo.thumbnail.png      

We cover over 15 000 festivals worldwide and proudly share our knowledge of the Festival circuit with our community, we trust our audience will ENJOY THE EXPERIENCE even more once the new platform is up and running : stay tuned!. In case you missed any of these 1100+ newsletters ... you can find them all here.   

 
 Digital Gym
VENICE IN FOCUS Photography by Laurent Hou and VIDEO by Sissy Lin Awards of the 82nd Venice International Film Festival
2025-08-30-Father-Mother-Sister-Brother-2000px-5773.jpg
The VENEZIA 82 Jury, chaired by Alexander Payne and composed of Stéphane Brizé, Maura Delpero, Cristian Mungiu, Mohammad Rasoulof, Fernanda Torres and Zhao Tao having viewed all 21 films in competition, has decided as follows:   GOLDEN LION for Best Film to: FATHER MOTHER SISTER BROTHER by Jim Jarmusch (USA, Ireland, France)   SILVER LION – GRAND JURY PRIZE to: THE VOICE OF HIND RAJAB by...
 

Hot Springs Documentary Film Festival announces film lineup for its 34th edition (October 10 - 18)

Rick W 0 32

 

Thomas Winston’s LOST WOLVES OF YELLOWSTONE opens, André Hörmann’s THE COWBOY is the Centerpiece selection, and Elegance Bratton’s MOVE YA BODY: THE BIRTH OF HOUSE gets the closing slot  

 

Jon Alpert will receive the HSDFF Brent Renaud Career Achievement Award, and ​​Geeta Gandbhir will be the recipient of this year’s Impact Award

 

The critically acclaimed Hot Springs Documentary Film Festival announced the lineup of films and honorees for its 34th edition, taking place October 10 -18. Screenings will kick off at Oaklawn’s Event Center with the Opening Night presentation of Thomas Winston’s Lost Wolves of Yellowstone, followed by the North American premiere of Centerpiece Selection, André Hörmann’s The Cowboy, and Elegance Bratton’s Move Ya Body: The Birth of House screening on Closing Night. Other premieres include the North American premiere of Sheffield DocFest Grand Jury Award winner Welded Together, the U.S. premiere of John Dower’s The Balloonists, and the U.S. premiere of Jo Seyoung’s K-Number.

 

Jon Alpert will receive the HSDFF Brent Renaud Career Achievement Award, and Geeta Gandbhir will be the recipient of this year’s Impact Award.

 

HSDFF Executive Director, Ken Jacobson, said, “In a world that seems, at times, on the verge of spinning out of control, I marvel at the fact that something as simple as a gathering of people to watch documentary films on a big screen can feel as miraculous and urgent as it does this year. For 34 years, the Hot Springs Documentary Film Festival has brought the best in non-fiction filmmaking to Hot Springs. Our community has responded by welcoming filmmakers and other guests here to join with us in celebrating this remarkable art form. This year, I am struck by the sheer quality and dynamism of the filmmaking, the courage of those willing to share their lives with the filmmakers, and the emotional depths explored through these incredibly diverse stories. If this year’s festival lineup tells us anything, it’s that creativity and truth-telling still remain as vital as ever. From our Opening to our Closing Night and everything in between, I know that our audiences are in for a very special and unique experience.”

 

 

THE GALAS AND SPECIAL PRESENTATIONS

Thomas Winston’s Lost Wolves Of Yellowstone will open HSDFF on Friday, October 10 at the Oaklawn Event Center. The film follows the audacious plan and journey to reintroduce wolves to Yellowstone as well as profiles the courageous story of Mollie Beattie, director of U.S. Fish and Wildlife Service, who led the way. Winston will attend and participate in a post-screening Q&A. André Hörmann’s The Cowboy will make its North American premiere as the Centerpiece selection on Wednesday, October 15 at the Arlington Hotel & Spa. Focusing on the idea of the American Cowboy, the film introduces us to 11-year-old Crowley McCuistion, as he’s riding horses and learning how to rope on a Colorado ranch, and then takes us on a remarkable 10-year journey, witnessing his dream of being an American cowboy prove as elusive as a runaway bull. Hörmann will attend and participate in a post-screening Q&A. Elegance Bratton’s Move Ya Body

Gus Van Sant to Be Honored by Venice Film Festival With Campari Passion for Film Award

Rick W 0 26
Gus Van Sant will be celebrated by the Venice Film Festival with its Campari Passion for Film Award. Van Sant is a key figure of American indie cinema from the 1980s onwards, whose body of work includes “Drugstore Cowboy,” “My Own Private Idaho,” the Columbine shooting-inspired “Elephant,” Nicole Kidman’s “To Die For,” Oscar winner “Milk” and “Good […]

The Waco Independent Film Festival announces 2025 Film Lineup and Schedule

Rick W 0 64

 

Waco Indie banner

 
The Waco Independent Film Festival will take place In-Theater - July 17-20/Online Encore July 20-26

 
Julia Barnett’s family favorite A Christmas in New Hope
is the Opening Night U.S. Premiere presentation 
and Chris Beier’s award-winning drama
The Ego Death of Queen Cecilia is set for the Closing Night

 

  
A Christmas in New Hope, The Ego Death of Queen Cecilia

 
Waco, TX (June 14, 2025) – The Waco Independent Film Festival announced the film lineup and events schedule for next month’s edition of the popular film festival, which recently was named as one of MovieMaker Magazine’s “50 Film Festivals Worth the Entry Fee”. WIFF’s in-theater screenings will take place July 17-20, followed by an online encore July 20-26. The mark-your-calendar film event will lead off with an Opening Night presentation of Julia Barnett’s A Christmas in New Hope. Chris Beier’s The Ego Death of Queen Cecilia will be the Closing Night selection.
 
Waco Independent Film Festival’s footprint has expanded yet again, with screenings and events taking place at the historic Hippodrome, Texas Music Café, Falcon & Owl, Start Up Waco, and the Performing Arts Community Center. 
 
Waco Independent FF co-founders and directors Samuel Thomas and Louis Hunter, said, “While Waco Indie just got another stamp of approval from MovieMaker Magazine, the film festival has been building that reputation as a must-experience stop on the tour for indie filmmakers, and a popular ‘save the date’ destination for film fans for close to a decade now. But this year, as with every year, it all comes back to three key words: Waco, Independent, and Film. We may add locations, we may add more films, and events – and we always will because we keep seeing new ways to innovate, streamline, and assist our filmmakers with their development as artists. Ultimately though, and this year’s lineup demonstrates that: we never stop building and encouraging the Waco Indie family.”
 
Waco Indie’s Red Carpet entrances and Opening Night party, which has grown into one of Waco’s major social events, will take place at the Palladium (729 Austin Avenue), putting the film fans in the celebratory mood to literally enjoy Christmas in July with a special Opening Night presentation of Julia Barnett’s A Christmas in New Hope. The film stars Katrina Bowden as an influencer and mother of a child living with Down syndrome, who tries to save her bungalow from foreclosure before Christmas by entering a home-improvement competition in New Hope, Texas.Naturally, complications arise when her ex returns home after touring Europe with his new album. Meanwhile, she has fallen in love with her next-door neighbor, a Texas musician who has bonded with her daughter Charlie.
 
The official Closing Night selection will take place on Friday at the Texas Music Café featuring Chris Beier’s tense drama, The Ego Death of Queen Cecilia. Filmed in Austin, and an award-winner at Dances With Films: NY, the film focuses on a desperate on-the-edge former YouTube star who attempts to blackmail an old high school acquaintance in an attempt to make enough money to get her back on top again in the fame game. But she soon finds that she is in way over her head, at the mercy

Dandelooo Cinema Acquires Worldwide Rights To "My Life In Versailles - The Movie"

Rick W 0 142

Award-winning French animation production and distribution company Dandelooo is delighted to announce that its film division Dandelooo Cinema has secured a deal with French production company Films Grand Huit and Academy Award®-nominated studio Xilam Animation for the feature film My Life in Versailles – The Movie.  The deal gives Dandelooo Cinema exclusive worldwide distribution rights (excluding France, Italy, Germany and the UK).

 

Produced by Films Grand Huit and Mélusine Productions, with Xilam Animation and Miyu Productions on board as co-production partners, the 78-minute, 2D animated feature is currently in production.  French distributor Jour 2 Fête has scheduled its theatrical release in France for October 2025.

 

Aimed at children aged 6 to 10, My Life in Versailles – The Movie is a heartwarming story of resilience and connection set against the iconic backdrop of the Palace of Versailles.  Directed by Clémence Madeleine-Perdrillat and Nathaniel H'limi, the film blends kindness, sensitivity, humor and history all combined to captivate both children and families.

 

Lionel Massol, Producer at Films Grand Huit commented, “For many months now Clémence, Nathaniel and I have been working on this feature-length adaptation of
La Vie de Château surrounded by shared emotions – just like those of a theatre audience. We want the adventures of Violette and Régis to be experienced to the fullest - as a family, on the big screen. I am absolutely thrilled that Dandelooo, with its high-quality and carefully curated line-up has joined us in this great and beautiful adventure! They will be the perfect ambassadors for our story!”

 

“We are thrilled that Films Grand Huit chose Dandelooo as the International sales agent for the wonderful and meaningful My Life in Versailles – The Movie.  We have been fans since the very early stages of development of this most touching story”, added Luna Sirvin, International Sales & Acquisitions Manager, Dandelooo Cinema.

 

After her parents' passing, eight-year-old Violet goes to live with her uncle, Regis, a gruff maintenance worker at the Palace of Versailles. Despite a rocky start, Violet and Regis learn to live and face life's challenges together. Through complex friendships, first loves and a Christmas trip to Violet's grandparents, they slowly create a new life rich in discoveries and tender moments in the heart of Versailles.

 

 

 

#####

 

 

About Films Grand Huit

Films Grand Huit was founded in 2015 from by producers, Lionel Massol and Pauline Seigland, whose energies, temperaments, and backgrounds are as diverse as they are complementary. Together, they created a model that is uniquely their own: deliberately conceived as a light, agile, and bold structure, Films Grand Huit operates as a creative workspace that is both free and structured. Their shared vision is clear: to harness their complementary energies and experiences to foster the emergence of unique, original films.

 

A three-time César Award winner, with multiple selections at Cannes, Venice, and Toronto, the company supports its directors from short films to feature films—and now also series.

 

Films Grand Huit was the recipient of the

Daily for Cannes May 23rd

Rick W 0 87

THE MASTERMIND and JEUNES MÈRES   

 

COMPÉTITION (SÉLECTION OFFICIELLE)

RESURRECTION (RÉSURRECTION) by BI GAN at 8:30 (runtime 2h40)

In a world where humanity has lost the ability to dream, one creature remains entranced by the fading illusions of the dreamworld. This monster, adrift in reverie, clings to visions no one else can see—until a woman appears. Gifted with the rare power to perceive these illusions for what they truly are, she chooses to enter the monster’s dreams, determined to uncover the truth that lies hidden within.

ZAN O BACHEH (WOMAN AND CHILD) by SAEED ROUSTAEE at 12:00 (runtime 2h11)

Mahnaz, a 40-year-old widowed nurse, struggles with her rebellious son, Aliyar, who has been suspended from school. Family tensions reach a peak during the betrothal ceremony with her new boyfriend Hamid, and a tragic accident occurs. In the aftermath, Mahnaz will be forced to confront betrayal and loss, and to embark on a quest for justice.

JEUNES MÈRES by JEAN-PIERRE DARDENNE & LUC DARDENNE at 16:00 (runtime 1h44)

Jessica, Perla, Julie, Ariane and Naïma are housed in a shelter for young mothers. Five teenagers hoping for a better life for themselves and their babies.

THE MASTERMIND by KELLY REICHARDT at 18:45 (runtime 1h50)

In a sedate corner of Massachusetts circa 1970, JB Mooney (Josh O’Connor) an unemployed carpenter turned amateur art thief, plans his first big heist. When things go haywire, his life unravels.

 

 

UN CERTAIN REGARD (SÉLECTION OFFICIELLE)

CÉRÉMONIE DE CLÔTURE (CLOSING CEREMONY) at 20:30 

 

 

CANNES CLASSICS (SÉLECTION OFFICIELLE)

DIS PAS DE BÊTISES (WATCH WHAT YOU SAY) by VINCENT GLENN at 11:30 (runtime 1h21)

What is the connection between a pension reform and motorcycle racing, between the Louvre Museum and tenderness, between a phoenix and the work of a cinematographer, between abandonment and cruelty, between alcohol and memory? There is this film—woven like an essay, like a journey… or perhaps a journey on trial. At its origin, a heart surgery gone wrong. What follows unfolds like a tragicomedy, drawing a father and son toward an unknown destination. A luminous escape, punctuated by chiaroscuro, defiant colors, and black-and-white photographs. Something affirmative? Sometimes, old conflicts lead to conversations about the future—and the improbable eternity.

BARRY LYNDON by STANLEY KUBRICK at 14:30 (runtime 3h04)

Ryan O’Neal and Marisa Berenson star in director Stanley Kubrick’s lavish adaptation of William Makepeace Thackeray’s classic 18th-century novel about the rise and fall of a sensitive and dashing rogue, The Memoirs of Barry Lyndon, Esq.. Forced to leave Ireland after killing an English officer in a duel, handsome young Redmond Barry (O’Neal) seeks his fortune as a soldier in Prussia, as a spy then as a gambler living among the elite of Europe. He changes his name and marries an aristocrat (Berenson) for her wealth, but the acceptance he seeks finally eludes him.

WAQAI SININ AL-DJAMR (CHRONIQUE DES ANNÉES DE BRAISE / CHRONICLE OF THE YEARS OF FIRE) by MOHAMED LAKHDAR-HAMINA at 14:45 (runtime 

Daily for Cannes May 22nd

Rick W 0 101

RESURRECTION and ZAN O BACHEH

 

COMPÉTITION (SÉLECTION OFFICIELLE)

THE HISTORY OF SOUND by OLIVER HERMANUS at 8:30  (runtime 2h07)

Lionel is a talented singer from rural Kentucky raised on the songs his father would sing on the front porch. In 1917, he leaves his family farm to attend the Boston Music Conservatory. There he meets David, a charming music composing student who is soon drafted into the end of the war. In 1920, the two spend a winter walking through the forests and islands of Maine, collecting folk songs in order to preserve them for future generations. Lionel drifts through Europe in his twenties and thirties, building a new life of profound success and happiness, and experiencing new loves. Yet he is constantly drawn back to memories of his brief time with David, trying to understand the impact of their relationship. Eventually, a reminder of their work together reveals why their connection rang loud

AFFEKSJONSVERDI (SENTIMENTAL VALUE) by JOACHIM TRIER at 11:30 (runtime 2h15)

Sisters Nora and Agnes reunite with their estranged father, the charismatic Gustav, a once-renowned director who offers stage actress Nora a role in what he hopes will be his comeback film. When Nora turns it down, she soon discovers he has given her part to an eager young Hollywood star. Suddenly, the two sisters must navigate their complicated relationship with their father — and deal with an American star dropped right into the middle of their complex family dynamics.

ZAN O BACHEH (WOMAN AND CHILD) by SAEED ROUSTAEE at 15:30 (runtime 2h11)

Mahnaz, a 40-year-old widowed nurse, struggles with her rebellious son, Aliyar, who has been suspended from school. Family tensions reach a peak during the betrothal ceremony with her new boyfriend Hamid, and a tragic accident occurs. In the aftermath, Mahnaz will be forced to confront betrayal and loss, and to embark on a quest for justice.

RESURRECTION (RÉSURRECTION) by BI GAN at 22:15 (runtime 2h40)

In a world where humanity has lost the ability to dream, one creature remains entranced by the fading illusions of the dreamworld. This monster, adrift in reverie, clings to visions no one else can see—until a woman appears. Gifted with the rare power to perceive these illusions for what they truly are, she chooses to enter the monster’s dreams, determined to uncover the truth that lies hidden within.
 
 

UN CERTAIN REGARD (SÉLECTION OFFICIELLE)

TESTA O CROCE? (HEADS OR TAILS?) by MATTEO ZOPPIS & ALESSIO RIGO DE RIGHI at 11:00 (runtime 1h59)

At the dawn of the 20th century, Buffalo Bill’s Wild West Show rolls into Italy, peddling the myth of the American frontier and sparking the imagination of Rosa, a young woman trapped in a stifling marriage to a powerful and violent landowner. When a rodeo between American cowboys and Italian butteri ends in tragedy, Rosa flees with Santino, the daring local rider who bested the Americans. But in a world where justice is sold to the highest bidder, Buffalo Bill and others join the hunt for the bounty on Santino’s head. Rosa’s dream of freedom quickly collides with the weight of reality—and like in every good Western ballad, fate flips a coin.

KARAVAN by ZUZANA KIRCHNEROVÁ at 14:00 (runtime 1h40)

Ester’s just turned 45 and has nothing in her

Cannes Festival Treats May 14 lineup

Rick W 0 75

 

COMPÉTITION (SÉLECTION OFFICIELLE):

SOUND OF FALLING by MASCHA SCHILINSKI at 15:00 (runtime 2h29)

Four girls, Alma, Erika, Angelika, and Lenka, each spend their youth on the same farm in northern Germany. As the home evolves over a century, echoes of the past linger in its walls. Though separated by time, their lives begin to mirror each other.

TWO PROSECUTORS (DEUX PROCUREURS) by SERGEI LOZNITSA at 22:30 (runtime 1h58)

Soviet Union, 1937. Thousands of letters from detainees falsely accused by the regime are burned in a prison cell. Against all odds, one of them reaches its destination, upon the desk of the newly appointed local prosecutor, Alexander Kornev. Kornev does his utmost to meet the prisoner, a victim of corrupt agents of the secret police, the NKVD. A dedicated Bolshevik of integrity, the young prosecutor suspects foul play. His quest for justice will take him all the way to the office of the Attorney General in Moscow. In the age of the great Stalinist purges, this is the plunge of a man into the corridors of a totalitarian regime that does not bear said name.

 

UN CERTAIN REGARD (SÉLECTION OFFICIELLE):

*OPENING FILM* PROMIS LE CIEL (PROMISED SKY) by ERIGE SEHIRI at 19:30 (runtime 1h32)

Marie, an Ivorian pastor and former journalist, has lived in Tunisia for ten years. Her home becomes a refuge for Naney, a young mother seeking a better future, and Jolie, a strong-willed student carrying her family’s hopes. The arrival of a little orphan girl challenges their sense of solidarity in a tense social climate, revealing both their fragility and strength.

 

CANNES CLASSICS (SÉLECTION OFFICIELLE):

YI YI (YI YI – A ONE AND A TWO) by EDWARD YANG at 10:00 (runtime 2h53)=

NJ Jian, his wife Min-Min and their two kids are typical middle-class family, sharing their Taipei apartment with Min-Min’s elderly mother. NJ is a partner in a computer hardware firm which made big profits last year but will go bankrupt soon if it doesn’t change direction. He warms to the idea of teaming up with Ota, an innovative designer of games software in Japan, and enjoys spending time with the charming and urbane Japanese man. Things start to go wrong for the Jians on the day that Min-Min’s brother A-Di gets married. That’s the day when Min-Min’s mother suffers a stroke and is rushed to hospital in a coma from which she may never awaken. It’s also the day when NJ bumps into Sherry, his first childhood sweetheart, a woman (now married) he hasn’t seen for twenty years.

DAVID LYNCH, UNE ÉNIGME À HOLLYWOOD (WELCOME TO LYNCHLAND)by STÉPHANE GHEZ at 14:30 (runtime 1h02)

With an unwavering commitment to his creative vision and freedom, David Lynch, an artist fascinated by the most deviant depths of the human soul, has composed his oeuvre like a riddle to decipher, on the cusp between dreams and reality. From Eraserhead, his cult-classic first feature film; to Twin Peaks, which transformed the world of TV series; via Mulholland Drive, seen as the greatest movie of the 21st century, David Lynch has been taking us through the looking glass to explore the strange foundations of the American dream. In revisiting both the filmmaker’s life and his work, this documentary will probe his creative process and plumb the hidden meaning of an implacably consistent filmography.

RED CANYON (LE MUSTANG NOIR) de /

Cannes dailes for 14/06/2025

Rick W 0 84

COMPÉTITION (SÉLECTION OFFICIELLE):

SOUND OF FALLING by MASCHA SCHILINSKI at 15:00 (runtime 2h29)

Four girls, Alma, Erika, Angelika, and Lenka, each spend their youth on the same farm in northern Germany. As the home evolves over a century, echoes of the past linger in its walls. Though separated by time, their lives begin to mirror each other.

TWO PROSECUTORS (DEUX PROCUREURS) by SERGEI LOZNITSA at 22:30 (runtime 1h58)

Soviet Union, 1937. Thousands of letters from detainees falsely accused by the regime are burned in a prison cell. Against all odds, one of them reaches its destination, upon the desk of the newly appointed local prosecutor, Alexander Kornev. Kornev does his utmost to meet the prisoner, a victim of corrupt agents of the secret police, the NKVD. A dedicated Bolshevik of integrity, the young prosecutor suspects foul play. His quest for justice will take him all the way to the office of the Attorney General in Moscow. In the age of the great Stalinist purges, this is the plunge of a man into the corridors of a totalitarian regime that does not bear said name.

 

UN CERTAIN REGARD (SÉLECTION OFFICIELLE):

*OPENING FILM* PROMIS LE CIEL (PROMISED SKY) by ERIGE SEHIRI at 19:30 (runtime 1h32)

Marie, an Ivorian pastor and former journalist, has lived in Tunisia for ten years. Her home becomes a refuge for Naney, a young mother seeking a better future, and Jolie, a strong-willed student carrying her family’s hopes. The arrival of a little orphan girl challenges their sense of solidarity in a tense social climate, revealing both their fragility and strength.

 

CANNES CLASSICS (SÉLECTION OFFICIELLE):

YI YI (YI YI – A ONE AND A TWO) by EDWARD YANG at 10:00 (runtime 2h53)=

NJ Jian, his wife Min-Min and their two kids are typical middle-class family, sharing their Taipei apartment with Min-Min’s elderly mother. NJ is a partner in a computer hardware firm which made big profits last year but will go bankrupt soon if it doesn’t change direction. He warms to the idea of teaming up with Ota, an innovative designer of games software in Japan, and enjoys spending time with the charming and urbane Japanese man. Things start to go wrong for the Jians on the day that Min-Min’s brother A-Di gets married. That’s the day when Min-Min’s mother suffers a stroke and is rushed to hospital in a coma from which she may never awaken. It’s also the day when NJ bumps into Sherry, his first childhood sweetheart, a woman (now married) he hasn’t seen for twenty years.

DAVID LYNCH, UNE ÉNIGME À HOLLYWOOD (WELCOME TO LYNCHLAND)by STÉPHANE GHEZ at 14:30 (runtime 1h02)

With an unwavering commitment to his creative vision and freedom, David Lynch, an artist fascinated by the most deviant depths of the human soul, has composed his oeuvre like a riddle to decipher, on the cusp between dreams and reality. From Eraserhead, his cult-classic first feature film; to Twin Peaks, which transformed the world of TV series; via Mulholland Drive, seen as the greatest movie of the 21st century, David Lynch has been taking us through the looking glass to explore the strange foundations of the American dream. In revisiting both the filmmaker’s life and his work, this documentary will probe his creative process and plumb the hidden meaning of an implacably consistent filmography.

RED CANYON (LE MUSTANG NOIR) de / by&

RSS