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MAMI's MFF: The 25 mountains you have to cross before you DO NOT get a Press badge

Rick W 0 4

MAMI's MFF: The 25 obstacles you have to cross before you DO NOT get a Press badge

To get a Press badge from the Mumbai Film Festival, an offer they make on their website and not something the press demands or coerces them to do, is a multiple stage process. And this happens only at MFF. Here are the 25 stages I had to go through, from 10 October 2024 to 6.32 October 2024, and I still do not have a Badge. This is how it begins                                  1. You either read about Registrations being open or get an email to that effect.

2. You click on three different pages for registrations as a Press Person. Why three pages? God knows.

3. You get a Google Form that indicates specifications of its demands. These include a picture of specified pixel and dpi size, links to previous articles in pdf format only, your facebook, X, YouTube and Instagram credentials, etc.

4. Once you submit this form, you get a message on the screen that you will be informed on your registered email address about  further developments. You do not get to retain a copy of what you have submitted, so there is no proof that you did, and no proof about the date and time when you did.

5. Then, you may or may not get an email saying that your Application has been successfully registered.

6. You may or may not get a message from BookMyShow that you can collect your Badge from the venues, 15 October onwards. (I had crossed all of the above mountains).

7. When you go to the venue, between 10 am and 5 pm, strictly, which is even less than local government and banking hours, you travel to the venue and queue up.

8. When your turn comes, the BookMyShow Supervisor on duty may or may not tell you that your Application has been approved and your Badge is ready. (In my case she said neither was my Badge ready nor did my name figure in any of the lists she had, either under my first name, my surname, my email id or the name of the publication I was going to write for).

I took a printout at 1.03 pm, on 17th October, and carried the document to PVR INOX. As it turned out, the document I was carrying was worth Zilch. Zero. Nothing. Trash. 

9. You apply a second time, going through the grind. This time there is a Booking Id on the return email, with a QR Code. Bingo. You think the worst is over.

10. You go to the venue again, on the 19th, queue up, and when your turn comes, your printout of the Booking Id and QR, plus your Aadhaar Card are passed from booking clerk to booking clerk. Finally, the same Supervisor lady, who had attended to me on the 15th, comes and tells you that your Application has not been approved.

11. She also adds that in such cases, MAMI sends out emails saying that the Accreditation has been denied, but she has no idea why it was not sent to me.

12. I tell her that the Booking Id and QR Code have been generated by BookMyShow, so it is now responsible to give me my Badge. She shrugs her shoulders and says that after all these proceedings, there is still another email that confirms your Approval, or informs you about denial of approval, which is missing in my case.

13. You ask her whether any MAMI official is present, to whom this issue can be addressed. She says they are there at the entrance, near the stairs.

14. You go there and ask around. One young man, in his early 20s tries, to be very helpful, and says that there are several others who have come to him with the same problem, but he is a junior volunteer, and his boss, a lady, a MAMI senior official, who could address this issue has gone for lunch.

15. You wait for a few minutes and then ask him

MAMI's MFF Director denies PRESS accreditation to seniormost journalist, suggests he pay & register

Rick W 0 7
MAMI's MFF Director denies PRESS accreditation to seniormost journalist, suggests he pay & register
 
"Why don't you pay and register, instead of trying to get a free Press badge?"-MAMI Festival Director Shivendra Singh Dungarpur to me, on the phone, at 6.30 pm, on 19th October, after being chased for a week with several phone calls, SMSs, emails and WhatsApp, all unanswered, asking why was I denied accreditation. Really, Mr. Shivendra Singh Dungarpur, !                        
I charge a minimum of Rs. 10 per word, when I am commissioned to write on any subject. For MAMI's Mumbai Film Festival, I was to write free, because my Editor did not commission this assignment. Nevertheless, my intention was to do my bit and write at least 5,000 words on the whole festival. That amounts to a personal contribution of Rs. 50,000 to the festival. And I would be posting my articles on filmfestivals.com, the website that covers 8,000 film festivals across the world. I am its India Correspondent, since 2015, and have written thousands of articles on various film festivals across the world, including MAMI's Mumbai Film Festival. I have attended all MFFs, bar two or three, when I was abroad, always as a press delegate. 
 
I do not know whether to blame it on ignorance or lack of interest, but you should be knowing as much about me as I know about you. I HAVE BEEN A FILM-CRITIC SINCE 1969, THE YEAR YOU WERE BORN, and continue to be an active critic, a good 55 years on. Besides, I am a member of FIPRESCI, the world's only representative body of film-critics which has just about 40 members in the whole of India. I have served on several International Juries, in this capacity. 
 
"MAMI needs money. In fact, I have invested in MAMI and come on board to help it survive," added Mr. Dungarpur. And what exactly did he mean by telling ME that? Was he after my Rs. 1,500, that I would have to pay to register as a regular delegate, and MFF would earn as revenue, or the Rs. 1,000 that Senior Citizens are charged, I being one? Would he rather have a worldwide coverage on a prestigious international website, or should he try to squeeze out Rs. 1,000 from me? Are things that bad? Will Rs. 1,000 save MFF? I should think the festival would need Rs. 10,00,000 not Rs. 1,000! Now, Mr. Dungarpur, how many other journalists have you asked to pay and register? Or am I the destined one SINGLED OUT for a contribution to this CHARITY DRIVE? In any case, do you have a target to achieve as registration fees from film journalists?
 
Another journalist, a lady, representing a local trade magazine, was also doing the rounds, at PVR, being sent up and down, first told she could see films for today, while her application was processed by tomorrow, but later shunted out at the entrance to the auditorium, for want of a badge. Both of us had a printout each of the Booking Id and QR code. That meant nothing to your officials. 
 
You have exactly the support you need in the shape of your team, some of whom are named Aditi, Prathamesh and Shams, the latter two, in particular, are masters at the art of lying, unabashedly. They work for a Public Relations Agency, and I have lectured on Public Relations for 10 years at some of the most prestigious institutes in the country, besides being a PRO for 7 years. They dare not try to cover-up by saying, "We were busy,", "I was in a meeting" and 100 other standard excuses. You yourself told me that you did not respond because you were " very busy". And what do you think journalists applying for Accreditation are? Lazy laggards with nothing to do? Some of them are busier than you can ever hope to be, Mr. Dungarpur. You are wasting their time, they are

MAMI’s Mumbai Film Festival treats media like dirt, and then denies accreditation

Rick W 0 8

MAMI’s Mumbai Film Festival treats media like dirt, and then denies accreditation

ScreenShots from the MAMI website and information about the (now deleted) Registration Google Form, for PRESS Accreditation at the Mumbai Film Festival, October 19-24.

All clicked around 12.45 pm-1.45 pm, on 20 October 2024.

You have to go through more than a dozen stages before your application is even accepted by the Festival authorities. Getting Accreditation is another story altogether.

Read on.

Please ignore the empty faces, which are the result of different formats pasted on a Word page

  1. 2024-10-20_1.png
  2. SS2_0.jpg
  3. SS3_0.jpg

 

Press Quota must have been exhausted by now, but after this screen, you were led to a Google form. But they do have my profile on a page entitled MyMAMI, and here it is. It shows that I have been attending MAMI over the years, and that my credentials are therefore stored, to make it easier to fil the form.

SS4.jpg

  1. Next page

SS5.jpg

  1. Since I do not want to Change my Password, I click on the Personal Profile, and this is what I see.
  2. A.

SS6.jpg

8.B.

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In the Google form, they ask you your address, your Editor’s name, your publishing platform. How long have you been a film journalist 0-1 years/1-5 years/5-10 years. Incidentally, there is no option of 55 years, which is where I come from.

They also ask you your facebook, X, Instagram and YouTube credentials, your email address, phone number, and three clippings of your writings on cinema in pdf form (many senior journalists, and few junior ones too, do not save their writings in the pdf format, so they have to find their writings on the web and save them as pdf or scan them in pdf format.

The photograph they want is of particular specifications, strictly, in terms of pixels and dpi. It takes ages to upload.

After all this is accepted and submitted, you will get a confirmation of Registration. But you could also get a mail immediately afterwards, saying that your Application has been rejected because it was “incorrect”. It is not mentioned what was incorrect about it and how could that be rectified. And, in any case, what is the next step? Upload the form again?

Taking the best bet, you upload the form again. This time you get a reply that has a Booking Id and a QR Code and are told to collect your Badge during working hours (10 am to 5 pm), from the venue (and it matters least how far you have to travel to reach the venue). You go there, queue up, and when your number comes, you are told that your Application has been rejected. The Booking Id and QR Code add up to nothing. There should be another email, after that, to confirm your accreditation, or deny it. But if you have received neither, there is nothing the BookMyShow staff, which handles registrations at the venue, can do about it.

Undaunted, you go home, and try and attempt a

Final Deadline for the 13th LA Crime & Horror Film Festival

Rick W 0 5

The 13th season of the Los Angeles Crime & Horror Film Festivals, scheduled to take place in November 2024, is now accepting submissions of feature films and short films in the many crime and horror subgenres.

From zombies and demons to mobsters and murderers, the crime and horror genres have captured the cinematic experience since the invention of film. Today, they remain some of the most memorable stories in independent film.

The LA Crime and Horror Film Festival has attracted filmmakers, genre fans, industry pros, and distributors every season with an unparalleled experience as we screen the best of indie horror and crime features and short films.

PLUS: Awards are IMDb qualifying!

Submit your crime and horror films for consideration at https://filmfreeway.com/LA-Crime-Horror-Film-Festival today.

CLOUD BOUND | The Power of Uplifting Vocal Music by Phil Lober

Rick W 0 11
Follow Phil Lober: ▸ Website: http://philliplober.com/ ▸ iTunes: https://itunes.apple.com/us/album/clockwater/id931616065 ▸ Facebook: https://www.facebook.com/philloberofficial ▸ Soundcloud: Soundcloud - https://soundcloud.com/lobrofficial Composer: Phil Lober Album: Cloud Bound (Single) Track: Cloud Bound ▂ ? All Label Music Of Epic Music World™ Is Available On: ▸ YouTube Music: https://bit.ly/YouTubeMusicEMW ▸ Spotify: https://bit.ly/EMWSpotify ▸ Deezer: https://bit.ly/EMWDezeer ▸ Apple Music: https://bit.ly/EMWApple ▸ Amazon Music: https://rebrand.ly/EpicMusicWorld_AmazonMusic ▸ Tidal: https://rebrand.ly/EMW_Tidal Epic Music World™ Websites: #epicmusicworld ▸ Spotify: https://bit.ly/EpicMusicWorld ▸ Twitch: https://www.twitch.tv/kai_emw ▸ Keep Me Alive (Donation): https://goo.gl/iIsogi ▸ Merchandise EU: https://shop.spreadshirt.net/epicmusicworld/ ▸ Epic Music World II: http://bit.ly/1Oo4n11 ▸ Facebook: https://www.facebook.com/EpicMusicWorld2/ ▸ Join Discord: https://discord.gg/ry5z8AZ ▸ Patreon: https://patreon.com/EpicMusicWorld ▸ Soundcloud: https://soundcloud.com/epicmusicworld ▸ Instagram: https://www.instagram.com/kai_emw/ ▸ Work Submission For The Epic Music World Label (Only Unreleased Music): epicmusicworld@gmx.net ▂ ★ Animation and Artwork by Realtime Motion Studios: http://realtime-motion-studios.rf.gd ★ Buy Your Animation: https://rocketr.net/sellers/realtimemotionstudios ▂ ? Image Artist: xiye ▸ Link: https://www.pixiv.net/en/artworks/100892973 ▸ Pixiv: https://www.pixiv.net/en/users/10767364 ▸ X: https://x.com/xiye00 ▂ © Copyright Info ✔ Be aware all music and pictures belongs to the original artists. ✔ This video was given a special license directly from the artists. ✖ I am in no position to give anyone permission to use this .➝ Please ask the artists and NOT me for permission !!!

Jean-Luc Godard’s ‘A Woman Is a Woman’ Hitting U.S. Theaters in 4K Restoration via Rialto Pictures (EXCLUSIVE)

Rick W 0 13
New York-based Rialto Pictures is gearing up for the release of Studiocanal’s 4K restoration of Jean-Luc Godard’s 1961 musical comedy “A Woman Is a Woman.” The film, Rialto’s first release of 2025, stars Anna Karina, Jean-Claude Brialy and Jean-Paul Belmondo. The film will hit selected U.S. theaters on Feb. 7. The new restoration, which premiered […]

7 Uplifting Sundance-Supported Documentaries the DFP Team Recommends This Fall

Rick W 0 9

By Jessica Herndon Life can be chaotic and rough, so when it’s time to watch a film, we understand the urge to cue up a feel-good flick. Luckily, our Documentary Film Program has had the privilege of supporting storytellers who have created works that are incredibly uplifting. These films ultimately fill us with hope, perk […]

The post 7 Uplifting Sundance-Supported Documentaries the DFP Team Recommends This Fall first appeared on sundance.org.

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