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The 2024 Pitches Selection for Shoot the Book revealed!

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The much-anticipated Pitches Selection for the 2024 edition of Shoot The Book! has been unveiled, marking the continuation of an exciting collaboration between SCELF and the Marché du Film.

Organized by SCELF (Société Civile des Editeurs de Langue Française) and the Marché du Film, Shoot the Book! announced their selection on 12 April at the Paris Book Festival in front of an audience of journalists, partners, authors, publishers and literary agents.

In its largest Pitches Selection to date, SCELF announced 18 books, selected for their strong potential for screen adaptation: 10 of which are new literary works from France and Europe, handpicked by an international jury formed in partnership with Le Film Français.

An additional 8 books were added to this year’s edition to spotlight other countries, including 4 from Taiwan (in partnership with TAICCA — Taiwan Creative Content Agency) and 4 from Switzerland (in partnership with ProHelvetia), in support of the Marché du Film’s program to spotlight Switzerland, the Country of Honour of their 2024 market edition.

Shoot the Book! will invite the selected authors and publishers to Cannes for the Pitches event, to be held on 16 May at the Press Conference Room of the Festival de Cannes, where they will present these riveting literary IPs to an audience of film & TV producers seeking future film projects.

In addition, publishers and producers will take part of the Rendez-Vous on 17 May for personalized one-to-one meetings to discuss adapting these literary works for film, television and other digital formats.

The titles to be presented at this year’s 2024 edition:

MAIN SELECTION

REELING (CHAVIRER)
Lola Lafon | Actes Sud

APHRODITE’S BREATH, A MOTHER AND DAUGHTER’S GREEK ISLAND ADVENTURE
Susan Johnson | Allen & Unwin

THE WOMB REBELLION
P.W. Long | Blue Ocean Press

THE DYATLOV PASS MYSTERY (LE MYSTÈRE DU COL DYATLOV)
Cédric Mayen, Jandro González | Éditions du Lombard

DUO (DUELLE)
Barbara Abel | Éditions du Masque

BEHIND THEIR BACKS (За спиною)
Haska Shyyan | Fabula

VENGEANCE IS MINE (LA VENGEANCE M’APPARTIENT)
Marie Ndiaye | Gallimard

THE SPAGHETTI SYNDROME (LE SYNDROME DU SPAGHETTI)
Marie Vareille | Pocket

ROSE VALLAND. THE SPY AT WORK (ROSE VALLAND. L’ESPIONNE A L’OEUVRE)
Jennifer Lesieur | Robert Laffont

9MM CUT
Sybille Ruge | Suhrkamp Verglag

SWITZERLAND SELECTION

THE HUNT (TRAWLJA)
Sasha Filipenko | Éditions Diogènes

RENDEZ-VOUS
Martina Chyba | Éditions Favre

INFLORESCENCE 
Raluca Antonescu | Éditions la Bacconière

SILENCES (SILENZI)
Luca Brunoni | Gabriele Capelli Editore

TAIWAN SELECTION

HAUNTED HOUSE REALTOR (鬼拍手)
Tai-Yu Chiang | Emily Books Agency Ltd, Aquarius

MYSTERY OF REMAINS (遺跡訪詭錄)
Mr. Tan | Millionstar Entertainment, Booklife

TRIALS OF HUMANITY (人性的試煉)
秀霖 (Xiu-Lin) | Showwe Information Co, Yao You Guang

SECOND LEAD (女二)
Joanne Deng | The Grayhawk Ag

With Over 500 Shows, ‘Netflix Is a Joke’ Comedy Festival Plans ‘More Ambitious’ Second Run

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It’s the first week of April, and Netflix vice president of stand-up and comedy formats Robbie Praw is severely under the weather. He’s just a month out from the launch of the second Netflix Is a Joke Comedy Festival, so there’s no time to be sick. “Every day there’s another disease in my house,” quips […]

Aspen Film Shortsfest showcases global talent and youth engagement

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Aspen Film will host the 33rd Annual Shortsfest at the Wheeler Opera House and Isis Theatre from April 1 through 7. The Oscar-qualifying festival will feature works by emerging filmmakers from 24 countries, with 58% of the films directed or co-directed by women. The Sopris Sun spoke with Shortsfest’s programming director, Jason Anderson, by phone […]

Meet the 2024 Sundance Institute Directors, Screenwriters, and Native Lab Fellows

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Even though we’ve been doing this for over 40 years, a spark of excitement rushes through us whenever we reveal the fellows for this year’s labs. It might be because these fresh fellows are joining the ranks of Paul Thomas Anderson, Lulu Wang, Sterlin Harjo, the Daniels, Ryan Coogler, Taika Watiti, A.V. Rockwell, Quentin Tarantino, Ira Sachs, and so many more iconic storytellers. The rush this year also might be due to the fact that these profound and indescribable forays into the world of the purely creative are happening right now.

The 2024 spring/summer labs season is kicking off this morning in Santa Fe, New Mexico, with the start of the Native Lab. This is directly followed by the Directors Lab at the Stanley Hotel in Estes Park, Colorado, and then the Screenwriters Lab in early June online.

Below get a brief introduction to each of the 2024 fellows, click here for more information about this year’s labs including the creative advisors for each, and stay tuned for more stories from the labs this spring and summer.

The 2024 Native Lab fellows

Don Josephus Raphael Eblahan (Writer-Director) with Hum (Philippines, U.S.A.): Haunted by the six-year absence of her missing husband, Esther, a single mother who works as a tour guide for mountaineers, embarks on her own treacherous journey of searching for him in the jungle where he had retreated to live with the beasts.

Don Josephus Raphael Eblahan is a filmmaker from the Philippines. Eblahan’s works explore  themes of trauma, spirituality, and nature, told through the cosmic lens of post-colonial spaces and Indigenous identities. His film The Headhunter’s Daughter was awarded the Short Grand Jury Prize at the 2022 Sundance Film Festival.

Ryland Walker Knight (Writer-Director) with The Lip of the World (U.S.A.): When Cassandra discovers a young Indigenous woman washed ashore with no memory, the pair journey into the violent underworld of the Northern California psychedelic culture to uncover her true identity.

Ryland Walker Knight is a Cherokee writer and a filmmaker, and once upon a time he was called a film critic. An avid basketball and audiobook enthusiast, Knight lives and works in Oakland and Los Angeles, California.

Charine Pilar Gonzales (Writer-Director) with NDN Time (U.S.A.): A Tewa college student must master her new dimension-bending abilities to expose the nuclear secrets threatening her Pueblo.

Charine Pilar Gonzales wrote and directed the short films River Bank (Pō-Kehgeh) and Our Quiyo: Maria Martinez. She co-produced the 2024 Sundance Film Festival short doc Winding Path. A Tewa filmmaker from San Ildefonso Pueblo and Santa Fe, New Mexico, she aims to intertwine memories, dreams, and truths through story.

Lindsay McIntyre (Writer-Director) with The Words We Can’t Speak (Canada): A terrible Arctic accident leaves an Inuk interpreter unwelcome in her community. She is forced to weather impossible conditions and hateful prejudices, yet still care for her daughter, when she embarks on a dangerous 1,000-mile journey by dog sled with an inexperienced RCMP constable who fancies her for his wife.

Lindsay McIntyre (Inuit/settler) is a filmmaker whose works explores themes of portraiture, place, and personal histories. After 40+ experimental/documentary films and many festival awards, her recent

Sundance Institute Announces Fellows for the 2024 Directors, Screenwriters, and Native Labs

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At our signature labs this spring, emerging artists will develop original projects under the guidance of accomplished advisors

PARK CITY, UTAH, April 29, 2024 — The nonprofit Sundance Institute announced today the fellows selected for the 2024 Directors, Screenwriters, and Native Labs. The Native Lab in New Mexico will support four fellows and two artists in residence, and the Directors Lab in Colorado will support the development of eight projects with nine fellows, with an additional three fellows also joining for the online Screenwriters Lab held immediately after. 

For over four decades, Sundance Institute’s signature labs have provided burgeoning filmmakers a nurturing, immersive environment to develop their projects and refine their artistic voice under the guidance of accomplished creative advisors. 

The 2024 Native Lab, taking place in person in Santa Fe, New Mexico, from April 29–May 4, is designed for participants of Native and Indigenous backgrounds and focuses on centering Indigeneity in their storytelling. Fellows will build community and refine their feature film and episodic scripts through one-on-one feedback sections and roundtable discussions with advisors. Four fellows were selected: three who are U.S.-based, and another from Canada. Also attending will be two artists in residence, Fox Maxy (Mesa Grande Band of Mission Indians and Payómkawish) and Shea Vassar (Cherokee), experiencing the lab while in script development. This year’s Native Lab creative advisors are Patrick Brice, Tai Leclaire (Mohawk and Mi’kmaq), Kishori Rajan, and Jon Raymond.

“Our Indigenous Program team looks forward to returning to Santa Fe to spend a week supporting some of the best and brightest Indigenous artists working today,” said Adam Piron, Director of Indigenous Program. “This group is diverse in the work they are bringing to develop and in how their Indigeneity shapes it — their differences are their strengths. We can’t wait to see what those combined strengths help them add to each other’s projects as they collaborate with each other and with our creative advisors.”

The 2024 Directors Lab will take place May 7–22 in person at the Stanley Hotel in Estes Park, Colorado, which is hosting a Sundance Institute program for the very first time with support from the Colorado Office of Economic Development and International Trade (OEDIT). During the Directors Lab, filmmakers will rehearse, shoot, and edit selected scenes from their work-in-progress original screenplays in a workshop environment with support from experienced creative advisors. Directors focus on core elements of filmmaking, including directing actors, workshopping their scripts, and defining their visual language. Led by Artistic Director Gyula Gazdag, the Directors Lab advisor cohort includes Miguel Arteta, Joan Darling, Rick Famuyiwa, Stephen Goldblatt, Keith Gordon, Reinaldo Marcus Green, Andrew Haigh, Randa Haines, Ed Harris, Siân Heder, André Holland, Karyn Kusama, Pam Martin, Estes Tarver, and Dylan Tichenor.

The 2024 Screenwriters Lab will be held online from June 4–7, where fellows will refine their scripts through individual story sessions with screenwriter advisors and group sessions on the art and craft of screenwriting. Led by Artistic Director Howard Rodman, the Screenwriters Lab advisor cohort includes John August, Scott Z. Burns, Reggie Rock Bythewood, Scott Frank, Susannah Grant, Tamara Jenkins, Meg LeFauve, Jenny Lumet, Josh Marston

News & Opportunities: April 2024 Round-Up

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Our regular monthly update featuring the latest news and opportunities for your cinema, festival or film society.

ICO News
  • Tomorrow, Saturday 27 April, is the 30th anniversary of South African Freedom Day – a date which marks the first non-racialized democratic elections to take place in the country. In celebration of this event, we have worked with Cinema Africa! and Maona Art to bring a 4K restoration of Mapantsula to UK and Irish cinemas. See our website for details of where it’s screening. And if you’d like to screen it in your venue too, we can take bookings until the end of May.
  • A retired Georgian teacher sets out to reunite with her estranged trans niece in Crossing – the compassionate third feature by director Levan Akin (And Then We Danced) and the first film to be confirmed for the ID Screening Days programme. We’ll be announcing further programme details over the coming weeks, ahead of the event in June.
  • Earlier this week, ICO Director Catharine Des Forges was in parliament to discuss the challenges currently facing independent cinemas! You can watch the full recording on the Parliament YouTube channel, which also included representatives from Watershed, Picturehouse, Studiocanal and Vue.
  • Festival based outside of Europe? We’re currently running a 25% discount on membership to our International Film Festival Network. Until 31 May you can join the network at this reduced rate and gain access to exclusive benefits, including an invitation to attend an International Film Festival summit we’re hosting in Wrocław this July.
  • Thanks to everyone who responded to our recent callout for pitches. We’re currently busy reviewing all the submissions – but if you’ve got an idea for an article please get in touch.
Opportunities & Resources
  • Film Camp gathers together film exhibitors from across the Midlands (and beyond) to share their wealth of experience, and to explore fresh approaches to programming, marketing and audience development. The event is open to everyone from multi-screen venues and festivals to community cinema organisers and student film groups. This year’s event will take place on Thursday 16 May at MAC, Birmingham.
  • This year’s Into Film Festival is running between the 12-28 November and now is the time to sign up your cinema to take part! This free schools event is part of Into Film’s year-round audience development drive and a great opportunity to connect with local schools and young people.
  • On Thursday 16 May, creative career app ERIC is sharing their most interesting data at a free-to-attend event. The data will show how their 100,000 16-25-year-old app users are reacting to and interacting with different creative careers and which outreach methods are most popular.
  • Save the date! Cinema Rediscovered – the UK’s leading festival of classic cinema – returns to venues in and around Bristol from 24-2

'Sunflowers Were the First to Know' in La Cinef section at Cannes 2024 and other fascinating short films of Chidananda S Naik

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The year 2024 marks a fortunate moment for Indian cinema as it has a presence at the Cannes Film Festival to talk about. Payal Kapadia’s film, “All We Imagine as Light” (2024), in Malayalam and Hindi, has the distinction of being the first Indian film selected to compete for the prestigious Palme d’Or in the past three decades—following Shaji N Karun’s “Swaham” (1994). Additionally, Sandhya Suri’s Hindi film “Santosh” (2024) vies for recognition in the Un Certain Regard section. Notably, Chidananda S Naik’s Kannada short film, “Sunflowers Were the First to Know” (2023), has been chosen to participate in the La Cinef section, which showcases and promotes films from various film schools worldwide, fostering emerging talent. The jury will present the La Cinef awards during a ceremony on May 23 at the Bunuel Theatre.

Chidananda S Naik pursued his passion for filmmaking after completing MBBS at Mysore Medical College. He studied Direction at Film and Television Institute of India Pune. The short fiction film 'Sunflowers Were the First to Know’, created as part of FTII’s year end coordinated exercise of TV- wing, runs for 15 minutes. Directed by Chidananda S Naik, the film features a talented team: Suraj Thakur (Camera), Manoj V (Editing), and Abhishek Kadam (Sound). 'Sunflowers Were the First to Know' portrays a mother’s unwavering love for her son—a love that will go any extent to protect him. She steals the village's prized rooster to shield him. This plunges the entire village into chaos as they embark on a search for the missing rooster. Revealing more risks spoilers, but the film, shot entirely at night, evokes a mysterious ambiance. While it may be loosely categorized as magic realism, Naik draws inspiration from the folk traditions of his Banjara community This captivating film breaks free from typical Indian art-house tropes, charting a fresh path.

In 'Bhule Chuke Tules’ (2023) which translates to ‘To the Forgotten’, a 12 minutes documentary in the Gorboli language, Naik explores his personal identity. As a member of the Banjara tribe - a nomadic community of traders - he visits a Banjara settlement, capturing its songs, folk tales and the tribe’s history as recounted by the elders. The film discovers beauty within the humble settlement through its captivating visuals. This documentary serves as a record of the community’s life, preserved only through oral literature passed down through generations.

Naik’s very first exercise film at FTII titled 'Trishna’ (2022) meaning ‘Longing’ hinted at his talent. This 5-minute Marathi film imaginatively delves into a young boy’s world, drawing on mythology. Madhav, an 8-year-old who has spent his days playing in his village, is sent to town for schooling. Naik skillfully avoids the common cinematic trope of portraying children as overly cute or speaking like adults. Living with his admonishing aunt and uncle, he yearns for home. This short film is very well edited with competent cuts from shot to shot. When the teacher scolds Madhav, the camera focuses solely on the boy, capturing his emotional turmoil. While the elders advise the boy against lying, the film’s mythical undertones offer an intriguing dimension. 

Hot news from April what a busy month it was on the circuit

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SIFF 2024 Lineup is Live
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SIFF announces lineup, tributes & premieres slated for the 50th Seattle International Film Festival, returning May 9-19   261 films with 18 World, 26 North American, and 14 U.S. Premieres make up the lineup for the Festival’s 50th anniversary, screening at venues across Seattle, including SIFF’s newly opened SIFF Cinema Downtown   SEATTLE – SIFF announced today the lineup of films included in the 50th Seattle International Film Festival, to be held May 9&n...
 
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Get ready for MASO: fund your short film, take part in a new training programme!
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This is a new international and inclusive programme of the IDM Film Commission South Tyrol and the Bolzano Film Festival Bozen to support the production of short films. Short film lies at the heart of the new MASO professional development program for filmmakers from all over the world, which was initiated by IDM Film Commission Südtirol, the Bolzano Film Festival Bozen BFFB, the Cultural Departments of the Autonomous Province of Bozen-Bolzano and other European partners such as the Tale...
 

 

Get ready for the 18th Dallas Film Festival
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Thursday, April 25 – Thursday, May 2, 2024 Calling all MovieHeads! Get ready for eight days of film and fun with fellow aficionados at DIFF 2024, the 18th annual Dallas International Film Festival! The Dallas International Film Festival doesn’t just screen the best narrative and documentary features and short films from across the globe . . . The interaction between story tellers, audiences and the Texas community is what we strive to develop both during the festival and th...
 

 

Mallorca 2024 takes shape, ambitious festival agenda coming soon
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  Exciting news… we are thrilled to maintain our position as one of the 100 Best Reviewed Film Festivals on FilmFreeway, a list crafted from genuine reviews by filmmakers. March was a bustling month for our Festival Team as we proudly presented our festival at the ITB World Tourism Convention in Berlin. This event showcased the fresh cultural vision of the Balearic Islands, particularly Mallorca, and the EMIFF as a centerpiece, presented by Fundacion Mallorca Turismo and Consell de...

SUNDANCE FILM FESTIVAL: LONDON 2024 REVEALS FULL PROGRAMME LINE-UP BURSTING WITH BOLD CINEMATIC VOICES FOR 11TH EDITION

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IN ADDITION TO FICTION AND DOCUMENTARY FEATURES, THE SELECTION INCLUDES:
● PROGRAMME OF SPECIALLY CURATED UK SHORT FILMS ● SURPRISE FILM SCREENING RETURNS ● PROGRAMME WILL ALSO INCLUDE TITLES TO CELEBRATE 40TH EDITION OF THE SUNDANCE FILM FESTIVAL IN THE U.S.

Tickets on sale to Picturehouse members and festival passholders now

Tickets to general public on sale April 30

Festival runs at Picturehouse Central, London, 6-9 June 2024

London, 23 April 2024 — Picturehouse and the nonprofit Sundance Institute announced today the lineup of 11 feature fiction and documentary films, a specially curated programme of UK short films and a strand of repertory titles to celebrate the 40th edition of the Sundance Film Festival in the U.S. for the 11th edition of Sundance Film Festival: London 2024, taking place from 6 to 9 June at Picturehouse Central.

These 11 feature films premiered at the 2024 Sundance Film Festival in Utah in January and were specially curated for London by the Sundance Film Festival programming team in collaboration with Picturehouse. The Festival previously announced that it will open on 6 June with the UK premiere of writer and director Rich Peppiatt’s raucous and infectious Irish-language film, Kneecap and will close on 9 June with the UK premiere of Dìdi (弟弟) written and directed by Academy Award-nominated filmmaker Sean Wang.

In addition to those award-winning opening and closing night films, the Festival presents a full programme bursting with buzzy hits from established and first-time feature filmmakers, across narrative film and documentary. These titles are: Sasquatch Sunset by acclaimed directors David and Nathan Zellner, starring Riley Keough (Mad Max: Fury Road, American Honey) and Academy Award® nominee Jesse Eisenberg (Zombieland, The Social Network); Rob Peace, Chiwetel Ejiofor’s adaptation of Jeff Hobbs’ bestselling and critically acclaimed biography; monster rom-com Your Monster, Caroline Lindy’s wholly original debut; Megan Park’s fresh coming-of-age journey of self-discovery My Old Ass starring Maisy Stella (Nashville) and Aubrey Plaza (Emily The Criminal);  Jane Schoenbrun’s second feature, I Saw The TV Glow;  Shuchi Talati’s Girls Will Be Girls winner of the 2024 Sundance Film Festival Audience Award: World Cinema Dramatic and World Cinema Dramatic Special Jury Award for Acting presented to Preeti Panigrahi earlier this year. The list is rounded off with Thea Hvistendahl’s chilly, disturbing Handling The Undead from Norway, winner of the 2024 Sundance Film Festival World Cinema Dramatic Special Jury Award for Original Music presented to Peter Raeburn at this year’s Festival, starring Renate Reinsve (The Worst Person In The World). The documentaries include Skywalkers: A Love Story by multi-Emmy award winning filmmaker Jeff Zimbalist and Never Look Away by Lucy Lawless in her directorial debut.

Once again, the line-up includes a short film programme that is dedicated to UK productions, highlighting some of the amazing talent in the Short Film art form, in films either produced with the UK or made by fil

5 Films for Earth Day

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Today we’re celebrating Earth Day – an annual event dedicated to environmental protection. First started in 1970, this environmental movement annually mobilises over 1 billion people from over 190 countries towards undertaking positive action for our planet. We dig into the Aesthetica Film Library to share five thought-provoking films that explore our relationship with the Earth, from poetic animations on the bonds between people and animals to powerful documentaries on change-makers.

Wrapped

Time-lapse photography and CGI animation evocatively combine to show Mother Nature at work. Directed by Florian Wittmann, Falko Paeper and Roman Kaelin, this stunning 2015 experimental film begins as moss grows on a dead rodent lying prone on a busy city street. Gradually, almost imperceptibly, foliage creeps across the pavements and roads until the natural world blends with the urban metropolis. A symbolic look at the delicate balance between mankind and nature.

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Danger Overhead Powerlines

Directed by Mia Mullarkey, this 2013 documentary is a call-to-arms following the plight of Teresa Treacy. In 2016, the ESB contacted her to say it would be erecting pylons across her land, cutting down several acres of forest. She refused, requesting that the power lines be run underground. In 2011, she went to prison for this, during which time the ESB felled nearly 1800 trees on her land.

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Nature House Inc.

Multidisciplinary artist Nick Jordan’s work explores the interconnections between cultural, social and natural ecologies. In 2013, he unveiled Nature House Inc., looking at the proliferation of bird houses, built to attract “America’s most wanted bird” – the Purple Martin. Jordan’s extraordinary film offers a glimpse of how over one million Americans have installed these Purple Martin boxes. As a result, these migratory birds are now entirely dependent on man-made shelters during their breeding season.

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Tears of Inge

Alisi Telengut works in the animation field, using hand-made and painterly visuals to create her worlds. This poetic, lyrical 2013 short is based on a real Mongolian nomadic story, offering a profound look at the relationship between humans and animals. Hauntingly scored, it tells of how some camels reject their young at childbirth, due to the pain, and how camel herders play music and sing songs to help the animals accept their young.

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Fern

Starring the brilliant BAFTA-winning actress Monica Dolan (Appropriate Adult), 2017’s Fern is a gentle comedy from writer-director Johnny Kelly (Procrastination). After losing her husband, a

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