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Sundance Institute Announces 2024 Producers Lab Fellows

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PARK CITY, UT, June 10, 2024 — The nonprofit Sundance Institute today announced the 10 producers selected to participate in its annual Producers Lab, being held June 10–22 for the first time at Ucross Foundation in Wyoming where they host artists throughout the year. The Producers Program reflects the Institute’s long-standing commitment to increasing support for independent producers and champions the current and rising generation of producers year-round. The annual Producers Lab, a focal point of the program, brings emerging fiction and nonfiction independent film producers together for networking and professional development opportunities. Fellows also receive year-round mentorship from experienced advisors. 

The Producers Lab nurtures emerging independent film producers with project-specific support through one-on-one meetings and intimate group sessions with veteran producer advisors. The lab encourages fellows to hone their creative instincts and problem-solving skills and to develop strategies for pitching, financing, production, navigating the marketplace, and sustainability. The 2024 cohort includes five fiction film producers and five nonfiction film producers. Fellows in the Documentary Film Program include Alan Domínguez with Commerce City, Eurie Chung with Finding Má, Brenda Ávila-Hanna with How to Clean a House in Ten Easy Steps, Mars Verrone with Untitled Solidarity Project, and Jillian Schlesinger with We Are Volcanoes. Fellows in the Feature Film Program include Ivan MacDonald with Buffalo Stone, Yona Strauss with The Glob, Tara Sheffer with Rubber Hut, Mireia Vilanova with Silence Sometimes, and Carolyn Mao with Sprout.

The 2024 Documentary Producers Lab advisors are Daniela Alatorre (Igualada), Jess Devaney (Power), Lauren Domino (American Symphony), Andrea Meditch (Fathom), and Tracy Rector (PILI KA MO’O). The 2024 Feature Film Producers Lab advisors are David Hinojosa (Past Lives), Julie Lynn (Mother and Child), Dan Janvey (Nomadland), Laura Kim (Marketing Executive), and Christopher Tricarico (Tricarico Chavez LLP).

“Amid the dynamic shifts within the film and media landscape that demand interrogation and entrepreneurial ingenuity, we’re inspired by the bold imagination in this year’s projects and by the determination and collaborative spirit of the producers behind them,” said Documentary Film Program Interim Director Kristin Feeley and Feature Film Program Producing and Artist Support Director Shira Rockowitz. “We are also grateful for the community of generous producer advisors supporting their work and careers.”

PROJECTS AND FELLOWS SELECTED FOR THE 2024 SUNDANCE INSTITUTE PRODUCERS LAB:

Documentary Film Program

Alan Domínguez with Commerce City (U.S.A.): A visually striking portrait of the daily life and resilience of the Latinx residents of Commerce City, Colorado — one of the most polluted zip codes in the United States.

Alan Domínguez, a Chicanx border crosser since birth, is Denver-based with Nuevo Mexicano roots. His films gravitate toward the unique cultural fabric and social landscapes of the Southwestern United States. He recently co-directed and produced for American MastersIn the Making series.

Eurie Chung with Finding Má (U.S.A.): After 20 yea

“In A Violent Nature”: Festivalgoers Look Through the Eyes of a Murderer

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PARK CITY, UTAH – JANUARY 22: Chris Nash attends the 2024 Sundance Film Festival “In A Violent Nature” premiere at the Library Center Theatre on January 22, 2024, in Park City, Utah. (Photo by Chad Salvador/Shutterstock for Sundance Film Festival) 

By Stephanie Ornelas 

Audience members at The Ray Theater were treated to a horror film that checks off every box the ultimate cinephile would expect and want from a slasher in Chris Nash’s In a Violent Nature, which screened at the 2024 Sundance Film Festival in Park City, Utah. 

But it also defies those checked boxes at the same time. 

In a change of pace and reversal of roles from the typical slasher narrative style, viewers found themselves walking alongside the killer instead of the victims, shedding new light — and blood — on a perspective not often, if ever, seen in many horror films.

Nash grew up on slashers, he tells audience members in the Q&A session following the screening. But it was clear he wanted to create something different.  

When Johnny (Ry Barrett) is awakened after his mother’s necklace is removed from his burial site, it sets off a bloody domino effect with all of the quintessential players in horror flicks: the nearby resident, the sheriff who’s dealt with this before, and the vacationing group of stoners, jocks, and girls. But Nash finds a way to subvert expectations by having us at the killer’s side (or behind him) for 90 minutes. 

This slow death trip that the audience embarks on with the killer sheds a new light on how slashers typically unfold, bringing a fresh take on the bloodbath that eventually ensues. Instead of a haunting score with jump scares left and right, we’re immersed in the world that the killer is about to bring pain to — always surrounded by nature and hearing only the sound of nature until the next kill. Each death becomes more creative and bloodier, and the lead-up to each death is almost similar in the sense that Johnny must always wait for the right moment.

“Tonally, this film is different,” says Nash. “Right from the very start, we were like, ‘We don’t want to have a soundtrack, we don’t want to have a score. We just want to let the forest be itself and have that tone carry the audience through.” 

“When I go for a job, I don’t bring crutches. That’s what I feel about a lot of scores. They’re just there and they’re lifting up moments that really kind of aren’t heard.”  

Most viewers might want Johnny to hurry up and get the job done, but the deliberate slow pace that Nash creates in this film brings a new feeling not often felt during most horror films — which makes you almost sympathize with the monster, eerily wanting more.

The post “In A Violent Nature”: Festivalgoers Look Through the Eyes of a Murderer first appeared on sundance.org.

Interview with Directors Jenny Schweitzer Bell & Brian Bell For Short Doc THE PUZZLE PALACE (2024) @ SXSW

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Interview with Directors Jenny Schweitzer Bell & Brian Bell For Short Doc The Puzzle Palace (2024) @ SXSW

Jenny Schweitzer Bell and Brian Bell are a husband-and-wife filmmaking team based in New York City. Together they produced several director-driven, narrative independent feature films from 2001 to 2006. Over the past decade, while Jenny focused on directing commissioned and personal short documentaries, Brian produced studio-backed narrative feature films. 

Brian is a veteran film producer with over two decades of experience in the industry. He has collaborated with renowned directors such as Ang Lee, Todd Haynes, Noah Baumbach, Jason Reitman, Phil Lord/Chris Miller, and Will Speck/Josh Gordon.

Jenny is a filmmaker based in New York City known for her character-driven stories that examine identity, culture, and the human experience.

The Puzzle Palace, her first collaboration with her husband, held its World Premiere at the 2024 SXSW Film Festival. Now reunited, they are committed to making films that challenge the status quo and explore the complexities of the human experience.

 

Can you tell us about your background and what led you to filmmaking?

JENNY & BRIAN: Jenny has embraced visual storytelling since adolescence, starting as a street and portrait photographer in her high school years. After college she spend fifteen years working in production, coordinating and eventually line producing narrative feature films. Brian, a natural storyteller, transitioned from radio dramas in college to screenwriting at NYU, ultimately finding his niche in producing.

 

How did your working relationship begin?

JENNY & BRIAN: Our paths crossed in an indie film's production office in NYC in the early 2000’s, where Jenny coordinated, and Brian assisted the producers. Marriage and family followed, and Jenny shifted to creating short documentaries while Brian continued with feature films. The Puzzle Palace marks our first documentary collaboration. 

 

What do you love about documentary films that features cannot achieve?

JENNY & BRIAN: Documentaries offer a raw, unfiltered reality that scripted narratives seldom match. The Puzzle Palace showcases this authenticity, capturing an unscripted, unpredictable journey that outstrips fictional storytelling.

 

Can you share the genesis of Puzzle Palace and its transformation into a film?

JENNY & BRIAN: Inspired by her father's interest in mechanical puzzles, Jenny delved into the niche world of puzzle enthusiasts, discovering the captivating Millers on YouTube. With our children away, we seized the opportunity to fly down to Boca with our cameras where we embedded ourselves in the Puzzle Palace and became fast friends with the Millers. 

 

What message do you hope audiences derive from your film?

JENNY & BRIAN: Embrace individuality and live boldly—this film champions the spirit of uniqueness and living life to its fullest.

 

What was a standout puzzle during filming, and why?

JENNY & BRIAN: That’s easy. It was the life-sized replica sculpture of The Millers (they appropriately titled “The Lovers”) in an embrace with a rope belt that needed to be untied from around their waist. It epitomized the theme of the film and became the focal point.

 

How do puzzles enhance

Interview with Directors Jenny Schweitzer Bell & Brian Bell For Short Doc THE PUZZLE PALACE (2024) @ SXSW

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Interview with Directors Jenny Schweitzer Bell & Brian Bell For Short Doc The Puzzle Palace (2024) @ SXSW

Jenny Schweitzer Bell and Brian Bell are a husband-and-wife filmmaking team based in New York City. Together they produced several director-driven, narrative independent feature films from 2001 to 2006. Over the past decade, while Jenny focused on directing commissioned and personal short documentaries, Brian produced studio-backed narrative feature films. 

Brian is a veteran film producer with over two decades of experience in the industry. He has collaborated with renowned directors such as Ang Lee, Todd Haynes, Noah Baumbach, Jason Reitman, Phil Lord/Chris Miller, and Will Speck/Josh Gordon.

Jenny is a filmmaker based in New York City known for her character-driven stories that examine identity, culture, and the human experience.

The Puzzle Palace, her first collaboration with her husband, held its World Premiere at the 2024 SXSW Film Festival. Now reunited, they are committed to making films that challenge the status quo and explore the complexities of the human experience.

 

Can you tell us about your background and what led you to filmmaking?

JENNY & BRIAN: Jenny has embraced visual storytelling since adolescence, starting as a street and portrait photographer in her high school years. After college she spend fifteen years working in production, coordinating and eventually line producing narrative feature films. Brian, a natural storyteller, transitioned from radio dramas in college to screenwriting at NYU, ultimately finding his niche in producing.

 

How did your working relationship begin?

JENNY & BRIAN: Our paths crossed in an indie film's production office in NYC in the early 2000’s, where Jenny coordinated, and Brian assisted the producers. Marriage and family followed, and Jenny shifted to creating short documentaries while Brian continued with feature films. The Puzzle Palace marks our first documentary collaboration. 

 

What do you love about documentary films that features cannot achieve?

JENNY & BRIAN: Documentaries offer a raw, unfiltered reality that scripted narratives seldom match. The Puzzle Palace showcases this authenticity, capturing an unscripted, unpredictable journey that outstrips fictional storytelling.

 

Can you share the genesis of Puzzle Palace and its transformation into a film?

JENNY & BRIAN: Inspired by her father's interest in mechanical puzzles, Jenny delved into the niche world of puzzle enthusiasts, discovering the captivating Millers on YouTube. With our children away, we seized the opportunity to fly down to Boca with our cameras where we embedded ourselves in the Puzzle Palace and became fast friends with the Millers. 

 

What message do you hope audiences derive from your film?

JENNY & BRIAN: Embrace individuality and live boldly—this film champions the spirit of uniqueness and living life to its fullest.

 

What was a standout puzzle during filming, and why?

JENNY & BRIAN: That’s easy. It was the life-sized replica sculpture of The Millers (they appropriately titled “The Lovers”) in an embrace with a rope belt that needed to be untied from around their waist. It epitomized the theme of the film and became the focal point.

 

How do puzzles enhance life quality, i

XSW | THE BLACK SEA | Festival World Premiere | Narrative Feature Competition Section on Saturday, March 9

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From the Filmmaker of The Wolfpack and Skate Kitchen Crystal Moselle and Musician, Actor, Filmmaker & Barista Derrick B Harden

THE BLACK SEA

SXSW World Premiere - Narrative Feature Competition on Saturday, March 9th!


When faced with a challenge, will you survive, or will you thrive?

 

Inspired by Derrick B. Harden’s travels to Bulgaria, The Black Sea is the transformative journey of a man who finds unexpected connections in a small coastal Eastern European town even as he finds himself to be the only black person around.

 

Shot on location in Bulgaria with no script, non-actors, and local crew.

 

When visiting Bulgaria he noticed a lot of fans of hip hop, emphasizing one of Americas biggest exports - the culture and music of hip hop.


Executive Produced by Ted Hope

 

Synopsis: What happens when a charismatic big dreamer gets stuck in a small town on the Black Sea? A Bulgarian fortune teller once said the touch of a black man will cure you. That’s where Khalid comes in; a charismatic guy from Brooklyn who embarks on an amateur gigolo quest in a small vacation town on the Black Sea. A turn of events leaves him stuck and penniless in a town where he is the only black man around. With no place to go, he begins to embrace the cultural differences illuminating a town steeped in traditions but also a love for one of Americas greatest exports - hip hop. In his desperate efforts to get back home he is led on an unforeseen transformative journey... creating connections and finding love along the way. 

 Crystal Moselle Derrick B. Harden Available for Select Interviews

To request an interview, please contact, AlexPelchar@FalcoInk.com


RT: 96 Minutes

Public Screenings:
Saturday, March 9 at 6:00PM at Alamo Lamar 5
Monday, March 11 at 3:15PM at Alamo Lamar 6
Tuesday, March 12 at 5:45PM at Violet Crown 1
Tuesday, March 12 at 6:15PM at Violet Crown 3

VIDEO FIRST LOOK: Film Mode Entertainment Announces the Berlin and EFM Premiere and First-Look Footage for MY DIVORCE PARTY

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Gravitas Ventures, an Anthem Sports & Entertainment Company will release the comedy on digital and cable on demand on April 30th

 

A fresh take on a trusted genre, starring Rumer Willis (Once Upon a Time in Hollywood, The House Bunny, Empire), Michelle Meredith (The Morning Show, Kappa Kappa Die), Kimia Behpoornia (Reboot, Hacks, Atypical), Sarah Hollis (Kill Your Darling, 24) and Desiree Staples (Scrap, Take Me To Tarzana, Everyone is Doing Great) will be showcased to buyers in Berlin for the first time. 

Clay Epstein’s Film Mode Entertainment (FME) announces the Berlin premiere of the impressive, uproarious comedy MY DIVORCE PARTY during the 2024 European Film Market (EFM).  Film Mode Entertainment will be showing footage from the film to buyers in Berlin for the first time.

MY DIVORCE PARTY stars Rumer Willis (Once Upon a Time in Hollywood, The House Bunny, Empire), Michelle Meredith (The Morning Show, Kappa Kappa Die), Kimia Behpoornia (Reboot, Hacks, Atypical), Sarah Hollis (Kill Your Darling, 24) and Desiree Staples (Scrap, Take Me To Tarzana, Everyone is Doing Great).  Heidi Weitzer directed the film, and the deal was completed by Lydia Ianni on behalf of Film Mode Entertainment and producers Adrienne Childress and Geenah Krisht on behalf of the film. 

Gravitas Ventures, an Anthem Sports & Entertainment Company will release the comedy on digital and cable on demand on April 30th. 

“My Divorce Party is a riveting and hilarious fresh take on a trusted genre, with an amazing cast and a plot filled with clever twists and turns that takes the audiences on a ride of love, laughter and unconventional surprises. The film is a prime example of how a talented female-lead cast and crew can raise the genre bar so high that the outcome is a highly commercially viable movie that stays true to its artistic roots and core message,” said Epstein.

Newly single and ready to mingle, Xan gathers her closest friends on vacation in Joshua Tree to celebrate her impending divorce. Upon arrival, Xan gifts her friends $20,000 each to spend on the trip so that her soon-to-be ex-husband cannot take her life savings. Hilarity and chaos ensue as the ladies help Xan process her feelings while enjoying a weekend full of surprises. 

“We’re thrilled to be partnered with Film Mode. Producing this film was a true labor of love, and we cannot wait to share My Divorce Party with the world,” said producers Krisht and Childress.

The brilliant and diversely talented cast of MY DIVORCE PARTY is no exception when it comes to loyal, engaged fan-bases across the globe, highly entertaining projects across multiple platforms, and combined box office earnings that exceed the $500M mark. The film was also selected to have its world festival debut on Sunday, March 10, 2024 at Cinequest, with an encore performance on Wednesday, March 13, 2024. 

The ensemble cast also includes Dionne Gipson, Cap Peterson, and Laith Ashley.  Executive Producers on the film are Staples, Weitzer, and Sam Fox.

Film Mode Entertainment has taken on worldwide rights for MY DIVORCE PARTY.

 

About Film Mode Entertainment

Film Mode Entertainment is a leading worldwide sales agent, production entity,

Meditative “Onlookers” Mesmerizes

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Onlookers (Kimi Takesue, 2023) 4 out of 5 stars A cross between a travelogue and a tone poem, director Kimi Takesue’s Onlookers takes the viewer on a journey through Laos, her camera capturing evocative images of a country that sits comfortably betwixt tradition and modernity. Tourists enjoy both tubing and temples, their vacations (as well […]

The post Meditative “Onlookers” Mesmerizes first appeared on Film Festival Today.

Review | 24

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Movie – 24 Director – Ekaterina Chatski

 

 

24th – The day Russia attacked Ukraine and put Russians to shame

 

24th February is the day when Russia attacked Ukraine and the war started. This movie revolves around a couple. The protagonist of the movie is a female and she is amidst all this chaos. While she was enjoying a vacation in Costa Rica with her partner, who is also a husband, she heard this news on the radio. Being a compassionate and simple lady, she was aghast by the declaration of war and was truly ashamed of the events that followed. Unable to bear the situation, she isolated herself and decided to stay alone for a few days. She couldn’t believe her ears when she heard that Russia started the war. Being of Russian origin, she felt extremely ashamed and humiliated by the turn of events. At home, she secluded herself out of extreme shame and all her activities fell silent. She was at a standstill point at that time.

The protagonist then carries a cross of her country and probably that’s her way of redemption. She is completely lost in the maze of dishonour and pain as the Russian culture is questioned after the offset of the war. People pointing fingers at her country is something that’s unbearable and unthinkable for her. The protagonist is so dismayed and so much in sorrow, that she just couldn’t find a way out and was sulking from inside. Her grief and pain were becoming unbearable for her. However, her husband and her partner rescued her from the mental agony by encouraging her and throwing the ‘Ariadne’s thread’ which helped her out of the internal mess and chaos that was eating up her peace.

If you are not familiar with the  ‘Ariadne’s thread’, then this term holds a huge significance in Greek mythology. The ‘Ariadne’s thread’ symbolises salvation and guidance. It is like a lifeline that offers guidance that can help someone navigate from a perplexed maze. The ‘Ariadne’s thread’ also symbolises the unwavering love of Ariadne and Theseus’ hope for survival. It is a symbol of a ray of hope, that the hero will be victorious and remain safe. In short, it can be said that ‘Ariadne’s thread’ is a symbol of love, hope and the victory of presence at times of adversity.

The ‘Ariadne’s thread’ that was thrown to the protagonist also is proof of the love and the strong bond between the couple. Her husband helps her find solace and be at peace with herself. While definitely the war between Russia and Ukraine was shattering and many Russians were dismayed and caught up in a depressive phase, the love of this husband towards his wife just cannot be missed. She was aghast and isolated herself from the entire world. Steeped in grief she did not continue with any of her activities which again put her in a weak spot. Her life was just motionless for something that she wasn’t responsible for and she blamed herself and was ashamed, only because of her Russian origin. Her husband was not only thoughtful but a strong gentleman who single-handedly helped his wife come out of this depressive vegetative state.

This movie definitely portrays the humane element t

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